• Almentor’s online learning platform for Africa and the Middle East gets $6.5m backing from Partech, Sawari and Sango Capital
    Almentor, a video-based online learning platform for the Middle East and North Africa, has raised $6.5m in a Series B round led by Partech from its Africa Fund.

    The startup was founded in 2016 when Ihad Fikry and Ibrahim Kamel decided there was a need to cater to the learning needs in the MENA region that were not provided by other platforms.

    “We live in a region with a population of 400 million-plus people but 90% of them cannot learn properly in any other language but Arabic,” Ihab Fikry, Almentor’s co-founder and CEO, says to TechCabal.

    The courses are designed to provide knowledge “in a proper manner without promoting any ideology or religious thoughts,” Fikry says.

    How Almentor works
    From gamified mobile apps to websites that enable streaming, online learning comes in different varieties across the world.

    Hundreds of educational channels like TED-Ed, Khan Academy and Crash Course have carved a niche on YouTube, without having to build their own technologies. Where does Almentor fit in this universe?
    Fikry describes Almentor as sharing the attributes of renowned platforms like Masterclass, Udemy and LinkedIn Learning.

    It charges users a subscription to access its library of 12,000 videos.

    The platform has a video-on-demand component that enables learners to stream content, while a learning management system engages users in classroom-like activities like asking and answering questions, and taking exams.

    Almentor can be accessed anywhere, even in Nigeria, but the focus is to serve the Arabic region.

    Their library includes math, history, natural sciences and training material for corporations. For social sciences where context may vary between countries, creators are selected from various countries to ensure the material is relevant. However, many users can find similarities because virtually every course is available in Arabic.

    Almentor works with subject-matter teachers and professional content creators around the MENA region to create the courses. The company and the creators share revenue from subscriptions based on an agreement on exclusivity and whole ownership of the content by Almentor.

    Fikry says they have received over 3,000 applications from people who want to create course material on Almentor, but the acceptance rate is currently at 12%. Besides welcoming applications, the startup proactively headhunts already successful lecturers and also engages agencies to recruit mentors for them.

    So far, Almentor has provided 2 million successful learning experiences to users. Fikry explains this metric means the learner has consumed at least 25% of the learning material.

    Learning categories vary from basic (30% of their library) to intermediate and advanced levels.

    A typical Almentor learner is between ages 18 and 40 years old. 51% of learners are male while 49% are female. 60% are from Egypt, 25% are from Gulf nations like Saudi Arabia, the United Arab Emirates, Kuwait and Bahrain. The rest come from Algeria, Morocco, Niger and Arabs living in the US and UK.

    In terms of socioeconomic status, Fikry says Almentor learners are between the middle and upper class.

    “For those in Class A+, they prefer to learn in English though some learn in French. For others, almost 40% can only learn in Arabic,” Fikry, a PhD holder who used to be a management professor and PWC consultant, explains.

    Seed to Series B, driven by partnerships
    As much as it is a service targeted as directly serving consumers, a key element of Almentor’s progress has been over 80 partnerships it has entered with organisations and governments.

    One such partnership is with the Ministry of Education in Egypt for a white-label curriculum targeted at 4.5 million students in grades 7 to 9. They have another with the government in the UAE to upskill entrepreneurs in the region.

    Regardless of the country or the partnership, Almentor’s promise is that users will “learn from a subject matter expert without being driven to any ideology,” Fikry insists.

    It is a sophisticated commitment that requires a range of management skills, beyond merely setting up technology for streaming and learning. It also needs capital to achieve its potential, Fikry says, which explains why they have sought out investors to continue to build.

    As with having governments on board, working with VCs “gives credibility to the platform as we are serving an area with lots of dynamics,” Fikry says.

    He says they particularly sought out Partech for this round owing to the VC’s global spread of portfolio companies spanning fintech, edtech and other sectors.

    With this Series B, Almentor has now raised $14.5 million.

    It opened the funding gates with a $3.5 million seed fund in 2016. In 2019, Almentor’s $4.5 million Series A was led by Sawari Ventures, an Egyptian firm that closed a $71 million fund in April. Sawari also invested in this Series B round as Sango Capital, a firm based in South Africa.

    Cyril Collon, general partner at Partech, described Fikry and his co-founder as “two fantastic mission-driven entrepreneurs.”

    He believes Almentor is the leading platform for self-learning in the Middle East and Africa, and is looking forward to helping the company expand access to “on-demand cutting-edge personal learning & developments options.”
    #wnu
    #middleeast
    #africa
    Almentor’s online learning platform for Africa and the Middle East gets $6.5m backing from Partech, Sawari and Sango Capital Almentor, a video-based online learning platform for the Middle East and North Africa, has raised $6.5m in a Series B round led by Partech from its Africa Fund. The startup was founded in 2016 when Ihad Fikry and Ibrahim Kamel decided there was a need to cater to the learning needs in the MENA region that were not provided by other platforms. “We live in a region with a population of 400 million-plus people but 90% of them cannot learn properly in any other language but Arabic,” Ihab Fikry, Almentor’s co-founder and CEO, says to TechCabal. The courses are designed to provide knowledge “in a proper manner without promoting any ideology or religious thoughts,” Fikry says. How Almentor works From gamified mobile apps to websites that enable streaming, online learning comes in different varieties across the world. Hundreds of educational channels like TED-Ed, Khan Academy and Crash Course have carved a niche on YouTube, without having to build their own technologies. Where does Almentor fit in this universe? Fikry describes Almentor as sharing the attributes of renowned platforms like Masterclass, Udemy and LinkedIn Learning. It charges users a subscription to access its library of 12,000 videos. The platform has a video-on-demand component that enables learners to stream content, while a learning management system engages users in classroom-like activities like asking and answering questions, and taking exams. Almentor can be accessed anywhere, even in Nigeria, but the focus is to serve the Arabic region. Their library includes math, history, natural sciences and training material for corporations. For social sciences where context may vary between countries, creators are selected from various countries to ensure the material is relevant. However, many users can find similarities because virtually every course is available in Arabic. Almentor works with subject-matter teachers and professional content creators around the MENA region to create the courses. The company and the creators share revenue from subscriptions based on an agreement on exclusivity and whole ownership of the content by Almentor. Fikry says they have received over 3,000 applications from people who want to create course material on Almentor, but the acceptance rate is currently at 12%. Besides welcoming applications, the startup proactively headhunts already successful lecturers and also engages agencies to recruit mentors for them. So far, Almentor has provided 2 million successful learning experiences to users. Fikry explains this metric means the learner has consumed at least 25% of the learning material. Learning categories vary from basic (30% of their library) to intermediate and advanced levels. A typical Almentor learner is between ages 18 and 40 years old. 51% of learners are male while 49% are female. 60% are from Egypt, 25% are from Gulf nations like Saudi Arabia, the United Arab Emirates, Kuwait and Bahrain. The rest come from Algeria, Morocco, Niger and Arabs living in the US and UK. In terms of socioeconomic status, Fikry says Almentor learners are between the middle and upper class. “For those in Class A+, they prefer to learn in English though some learn in French. For others, almost 40% can only learn in Arabic,” Fikry, a PhD holder who used to be a management professor and PWC consultant, explains. Seed to Series B, driven by partnerships As much as it is a service targeted as directly serving consumers, a key element of Almentor’s progress has been over 80 partnerships it has entered with organisations and governments. One such partnership is with the Ministry of Education in Egypt for a white-label curriculum targeted at 4.5 million students in grades 7 to 9. They have another with the government in the UAE to upskill entrepreneurs in the region. Regardless of the country or the partnership, Almentor’s promise is that users will “learn from a subject matter expert without being driven to any ideology,” Fikry insists. It is a sophisticated commitment that requires a range of management skills, beyond merely setting up technology for streaming and learning. It also needs capital to achieve its potential, Fikry says, which explains why they have sought out investors to continue to build. As with having governments on board, working with VCs “gives credibility to the platform as we are serving an area with lots of dynamics,” Fikry says. He says they particularly sought out Partech for this round owing to the VC’s global spread of portfolio companies spanning fintech, edtech and other sectors. With this Series B, Almentor has now raised $14.5 million. It opened the funding gates with a $3.5 million seed fund in 2016. In 2019, Almentor’s $4.5 million Series A was led by Sawari Ventures, an Egyptian firm that closed a $71 million fund in April. Sawari also invested in this Series B round as Sango Capital, a firm based in South Africa. Cyril Collon, general partner at Partech, described Fikry and his co-founder as “two fantastic mission-driven entrepreneurs.” He believes Almentor is the leading platform for self-learning in the Middle East and Africa, and is looking forward to helping the company expand access to “on-demand cutting-edge personal learning & developments options.” #wnu #middleeast #africa
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  • Tencent helps Chinese students skip prohibitively low speeds for school websites overseas
    Hundreds of thousands of Chinese students enrolled in overseas schools are stranded as the COVID-19 pandemic continues to disrupt life and airlines worldwide. Learning at home in China, they all face one challenge: Their school websites and other academic resources load excruciatingly slowly because all web traffic has to pass through the country’s censorship apparatus known as the “great firewall.”

    Spotting a business opportunity, Alibaba’s cloud unit worked on connecting students in China to their university portals abroad through a virtual private network arrangement with American cybersecurity solutions provider Fortinet to provide, Reuters reported last July, saying Tencent had a similar product.

    Details of Tencent’s offering have come to light. An app called “Chang’e Education Acceleration” debuted on Apple’s App Store in March, helping to speed up loading time for a selection of overseas educational services. It describes itself in a mouthful: “An online learning free accelerator from Tencent, with a mission to provide internet acceleration and search services in educational resources to students and researchers at home and abroad.”

    Unlike Alibaba’s VPN for academic use, Chang’e is not a VPN, the firm told TechCrunch. The firm didn’t say how it defines VPN or explain how Chang’e works technically. Tencent said Chang’e rolled out on the app’s official website in October.

    The word “VPN” is a loaded term in China as it often implies illegally bypassing the “great firewall.” People refer to its euphemism “accelerator” or “scientific internet surfing tool” otherwise. When Chang’e is switched on, iPhone’s VPN status is shown as “on”, according to a test by TechCrunch.
    On the welcome page, Chang’e asks users to pick from eight countries, including the U.S., Canada, and the U.K., for “acceleration”. It also shows the latency time and expected speed increased for each region.

    Once a country is picked, Chang’e shows a list of educational resources that users can visit on the app’s built-in browser. They include the websites of 79 top universities, mostly U.S. and the U.K. ones; team collaboration tools like Microsoft Teams, Trello and Slack; remote-learning platforms UDemy, Coursera, Lynda and Khan Academy; research networks such as SSRN and JSTOR; programming and engineering communities like Stack Overflow, Codeacademy and IEEE; economics databases from the World Bank and OECD; as well as resources for medical students like PubMed and Lancet.

    Many of these services are not blocked in China but load slowly on mainland China behind the “great firewall.” Users can request sites not already on the list to be included.
    Chang’e appears to have whitelisted only its chosen sites rather than all traffic on a user’s smartphone. Google, Facebook, YouTube and other websites banned in China are still unavailable when the Chang’e is at work. The app, available on both Android and iOS for free, doesn’t currently require users to sign up, a rare gesture in a country where online activities are strictly regulated and most websites ask for users’ real-name registrations.
    The offerings from Alibaba and Tencent are indicative of the inadvertent consequences caused by Beijing’s censorship system designed to block information deemed illegal or harmful to China’s national interest. Universities, research institutes, multinational corporations and exporters are often forced to seek censorship circumvention apps for what the authorities would consider innocuous purposes.

    VPN providers have to obtain the government’s green light to legally operate in China and users of licensed VPN services are prohibited from browsing websites thought of us endangering China’s national security. In 2017, Apple removed hundreds of unlicensed VPN apps from its China App Store at Beijing’s behest.

    In October, TechCrunch reported that the VPN app and browser Tuber gave Chinese users a rare glimpse into the global internet ecosystem of Facebook, YouTube, Google and other mainstream apps, but the app was removed shortly after the article was published.
    Source techcrunch
    #wnu
    #china
    #tencent
    Tencent helps Chinese students skip prohibitively low speeds for school websites overseas Hundreds of thousands of Chinese students enrolled in overseas schools are stranded as the COVID-19 pandemic continues to disrupt life and airlines worldwide. Learning at home in China, they all face one challenge: Their school websites and other academic resources load excruciatingly slowly because all web traffic has to pass through the country’s censorship apparatus known as the “great firewall.” Spotting a business opportunity, Alibaba’s cloud unit worked on connecting students in China to their university portals abroad through a virtual private network arrangement with American cybersecurity solutions provider Fortinet to provide, Reuters reported last July, saying Tencent had a similar product. Details of Tencent’s offering have come to light. An app called “Chang’e Education Acceleration” debuted on Apple’s App Store in March, helping to speed up loading time for a selection of overseas educational services. It describes itself in a mouthful: “An online learning free accelerator from Tencent, with a mission to provide internet acceleration and search services in educational resources to students and researchers at home and abroad.” Unlike Alibaba’s VPN for academic use, Chang’e is not a VPN, the firm told TechCrunch. The firm didn’t say how it defines VPN or explain how Chang’e works technically. Tencent said Chang’e rolled out on the app’s official website in October. The word “VPN” is a loaded term in China as it often implies illegally bypassing the “great firewall.” People refer to its euphemism “accelerator” or “scientific internet surfing tool” otherwise. When Chang’e is switched on, iPhone’s VPN status is shown as “on”, according to a test by TechCrunch. On the welcome page, Chang’e asks users to pick from eight countries, including the U.S., Canada, and the U.K., for “acceleration”. It also shows the latency time and expected speed increased for each region. Once a country is picked, Chang’e shows a list of educational resources that users can visit on the app’s built-in browser. They include the websites of 79 top universities, mostly U.S. and the U.K. ones; team collaboration tools like Microsoft Teams, Trello and Slack; remote-learning platforms UDemy, Coursera, Lynda and Khan Academy; research networks such as SSRN and JSTOR; programming and engineering communities like Stack Overflow, Codeacademy and IEEE; economics databases from the World Bank and OECD; as well as resources for medical students like PubMed and Lancet. Many of these services are not blocked in China but load slowly on mainland China behind the “great firewall.” Users can request sites not already on the list to be included. Chang’e appears to have whitelisted only its chosen sites rather than all traffic on a user’s smartphone. Google, Facebook, YouTube and other websites banned in China are still unavailable when the Chang’e is at work. The app, available on both Android and iOS for free, doesn’t currently require users to sign up, a rare gesture in a country where online activities are strictly regulated and most websites ask for users’ real-name registrations. The offerings from Alibaba and Tencent are indicative of the inadvertent consequences caused by Beijing’s censorship system designed to block information deemed illegal or harmful to China’s national interest. Universities, research institutes, multinational corporations and exporters are often forced to seek censorship circumvention apps for what the authorities would consider innocuous purposes. VPN providers have to obtain the government’s green light to legally operate in China and users of licensed VPN services are prohibited from browsing websites thought of us endangering China’s national security. In 2017, Apple removed hundreds of unlicensed VPN apps from its China App Store at Beijing’s behest. In October, TechCrunch reported that the VPN app and browser Tuber gave Chinese users a rare glimpse into the global internet ecosystem of Facebook, YouTube, Google and other mainstream apps, but the app was removed shortly after the article was published. Source techcrunch #wnu #china #tencent
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  • It might get harder for budding African creators to make money with YouTube’s new terms of service
    Google-owned video-sharing platform, YouTube, released an update to its terms of service in November 2020. While it immediately took effect for users in the US, users outside the US will begin to experience the change from June 1, 2021.

    The update revealed that taxes will now be levied on the royalties of content creators resident in the US, who are already entitled to payments on the platform. This will soon take place in other countries as the new terms of service are rolled out.

    The platform revisited its data privacy policy and warned strongly that it would not permit the collection of any information, facial recognition data inclusive, that might be used to identify a user without their permission.

    YouTube also emphasised its right to monetise all content on the platform as it announced that ads might appear on channels not in the YouTube Partner Program (YPP), and the YouTubers who own these channels will not get a revenue cut.
    What this means is that as a content creator on YouTube who isn’t a partner on YPP, ads — which YouTube says you’re not entitled to get payments for — might now appear during your videos.

    The YPP was launched in December 2007 as a means of revenue generation for creators, who allow ads to appear on their videos for an amount of money. Members of the YPP have to meet certain criteria, including having up to 1,000 active subscribers and 4,000 valid watch hours in the last 12 months.

    And what’re the implications of this?

    The new policy puts some creators on the platform at a disadvantage, especially those still looking to grow their channels.

    Rejoice Ambrose, a growing YouTuber running a lifestyle channel, thinks this may be detrimental to her growth.

    “I do not think it’s fair. I mean, ads can be so annoying; talk less for those of us who are still trying to grow our channel. How are we going to maintain viewers when they have to endure ads appearing on our videos, and we won’t even get paid for them? But then, it’s their platform; I don’t think we can really do anything about it,” she tells Techpoint Africa.

    In YouTube’s defence, more ads are a part of the company’s investment in solutions that help advertisers reach a larger audience and scale their businesses.

    We previously explored why some Nigerian YouTubers have to look outside the platform to get revenue for reasons like low content engagements because most of their viewers face the issue of low broadband access.
    With these new updates, one can only wonder what the fate of budding and professional Africa-based YouTubers will be, as a large chunk of their audience is in demographics with low access to stable Internet data.

    source Techpointafrica
    #wnu
    #Nigeria
    #youtube
    #Africa
    It might get harder for budding African creators to make money with YouTube’s new terms of service Google-owned video-sharing platform, YouTube, released an update to its terms of service in November 2020. While it immediately took effect for users in the US, users outside the US will begin to experience the change from June 1, 2021. The update revealed that taxes will now be levied on the royalties of content creators resident in the US, who are already entitled to payments on the platform. This will soon take place in other countries as the new terms of service are rolled out. The platform revisited its data privacy policy and warned strongly that it would not permit the collection of any information, facial recognition data inclusive, that might be used to identify a user without their permission. YouTube also emphasised its right to monetise all content on the platform as it announced that ads might appear on channels not in the YouTube Partner Program (YPP), and the YouTubers who own these channels will not get a revenue cut. What this means is that as a content creator on YouTube who isn’t a partner on YPP, ads — which YouTube says you’re not entitled to get payments for — might now appear during your videos. The YPP was launched in December 2007 as a means of revenue generation for creators, who allow ads to appear on their videos for an amount of money. Members of the YPP have to meet certain criteria, including having up to 1,000 active subscribers and 4,000 valid watch hours in the last 12 months. And what’re the implications of this? The new policy puts some creators on the platform at a disadvantage, especially those still looking to grow their channels. Rejoice Ambrose, a growing YouTuber running a lifestyle channel, thinks this may be detrimental to her growth. “I do not think it’s fair. I mean, ads can be so annoying; talk less for those of us who are still trying to grow our channel. How are we going to maintain viewers when they have to endure ads appearing on our videos, and we won’t even get paid for them? But then, it’s their platform; I don’t think we can really do anything about it,” she tells Techpoint Africa. In YouTube’s defence, more ads are a part of the company’s investment in solutions that help advertisers reach a larger audience and scale their businesses. We previously explored why some Nigerian YouTubers have to look outside the platform to get revenue for reasons like low content engagements because most of their viewers face the issue of low broadband access. With these new updates, one can only wonder what the fate of budding and professional Africa-based YouTubers will be, as a large chunk of their audience is in demographics with low access to stable Internet data. source Techpointafrica #wnu #Nigeria #youtube #Africa
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  • Warner Music Group Invests in Rotana Music, Arab World’s Leading Independent Label

    The deal will expand WMG’s presence in the rapidly growing Middle East and North African (MENA) region, while driving cross-cultural opportunities for the label’s renowned repertoire.
    At the same time, it was announced that ADA Worldwide, WMG’s label services division, will distribute Rotana releases globally outside of MENA and via YouTube for the entire world.

    Rotana’s portfolio includes many of the most prominent and beloved artists across the Arab world, including: Mohamad Abdo, Abdulmajid Abdallah, Rabeh Saqer, Rashed Al Majed, Abdallah Ruwaished, Ahlam, and other stars from the Gulf region; and Amr Diab, Elissa, Tamer Hosny, Najwa Karam, Shereen Abdalwahab, Angham, Wael Kfoury, Saber Al Robae, and others from the Levant, Egypt, and North Africa. Owned by His Royal Highness Prince Al Waleed Bin Talal, the company is headquartered in Riyadh, Saudi Arabia, with branches in Jeddah, Dubai, Kuwait City, Beirut, and Cairo.

    “The Middle East and North Africa region is among the most culturally dynamic places in the world today, with burgeoning musical scenes and dramatic consumption growth. We’re thrilled to be joining with Rotana, whose significant presence in the market reflects its extraordinary roster of musical icons and outstanding talent. We’re especially excited about the opportunity to both expand our profile in the region and to bring these amazing artists to audiences across the globe.”

    Simon Robson, WMG’s President, International, Recorded Music
    Highly influential, Rotana is home to Saudi legend Mohamad Abdo and counts among its catalog seven of the artists named to Forbes Middle East’s list of Top 10 Arab Singers – a list curated based on the artist’s brand popularity and social media reach. Among them, Egyptian megastar Amr Diab boasts over a billion YouTube views and has had five top ten albums on Billboard’s World Albums chart, while Lebanese icon Elissa was crowned by Brandwatch as one of the 50 most influential figures on Twitter, alongside artists like Lady Gaga and Selena Gomez.

    “This is an exciting time, and we at Rotana are very happy with this partnership, which will facilitate Warner Music’s reach into the MENA music industry and fan communities, just as it will benefit Rotana in our global expansion objective. The creative culture in MENA is so vibrant and diverse, and this partnership will enhance the exchange of music and ideas, while promoting and supporting local artists on the global stage. I would like to congratulate His Royal Highness Prince Al Waleed Bin Talal on this win-win partnership, which is aligned with Saudi Vision 2030 to keep pace with changes taking place globally, including in entertainment and the digital music landscape.”

    Mr. Salem Al Hendi, CEO, Rotana Music Holding
    Established in 1993, Rotana Music Holding is the largest record label and music repertoire holder in the Arab world. The company has become the leading Arabic media, entertainment, events, and content producer and distributor in the MENA region and the world. Its artist management team works with its artists on music production, publishing and rights management, events and concerts, and strives to meet the continuously evolving needs of the industry.

    WMG launched Warner Music Middle East in 2018, covering 17 markets across the Middle East and North Africa. With a population nearing half a billion people, the MENA music market is anticipated to grow exponentially as the region continues to improve internet speeds and smartphone penetration, which has doubled in the last five years alone.

    Kacy Grine & Co acted as the exclusive financial advisor to Rotana Music in this transaction.
    #wnu
    #currentnews
    Warner Music Group Invests in Rotana Music, Arab World’s Leading Independent Label The deal will expand WMG’s presence in the rapidly growing Middle East and North African (MENA) region, while driving cross-cultural opportunities for the label’s renowned repertoire. At the same time, it was announced that ADA Worldwide, WMG’s label services division, will distribute Rotana releases globally outside of MENA and via YouTube for the entire world. Rotana’s portfolio includes many of the most prominent and beloved artists across the Arab world, including: Mohamad Abdo, Abdulmajid Abdallah, Rabeh Saqer, Rashed Al Majed, Abdallah Ruwaished, Ahlam, and other stars from the Gulf region; and Amr Diab, Elissa, Tamer Hosny, Najwa Karam, Shereen Abdalwahab, Angham, Wael Kfoury, Saber Al Robae, and others from the Levant, Egypt, and North Africa. Owned by His Royal Highness Prince Al Waleed Bin Talal, the company is headquartered in Riyadh, Saudi Arabia, with branches in Jeddah, Dubai, Kuwait City, Beirut, and Cairo. “The Middle East and North Africa region is among the most culturally dynamic places in the world today, with burgeoning musical scenes and dramatic consumption growth. We’re thrilled to be joining with Rotana, whose significant presence in the market reflects its extraordinary roster of musical icons and outstanding talent. We’re especially excited about the opportunity to both expand our profile in the region and to bring these amazing artists to audiences across the globe.” Simon Robson, WMG’s President, International, Recorded Music Highly influential, Rotana is home to Saudi legend Mohamad Abdo and counts among its catalog seven of the artists named to Forbes Middle East’s list of Top 10 Arab Singers – a list curated based on the artist’s brand popularity and social media reach. Among them, Egyptian megastar Amr Diab boasts over a billion YouTube views and has had five top ten albums on Billboard’s World Albums chart, while Lebanese icon Elissa was crowned by Brandwatch as one of the 50 most influential figures on Twitter, alongside artists like Lady Gaga and Selena Gomez. “This is an exciting time, and we at Rotana are very happy with this partnership, which will facilitate Warner Music’s reach into the MENA music industry and fan communities, just as it will benefit Rotana in our global expansion objective. The creative culture in MENA is so vibrant and diverse, and this partnership will enhance the exchange of music and ideas, while promoting and supporting local artists on the global stage. I would like to congratulate His Royal Highness Prince Al Waleed Bin Talal on this win-win partnership, which is aligned with Saudi Vision 2030 to keep pace with changes taking place globally, including in entertainment and the digital music landscape.” Mr. Salem Al Hendi, CEO, Rotana Music Holding Established in 1993, Rotana Music Holding is the largest record label and music repertoire holder in the Arab world. The company has become the leading Arabic media, entertainment, events, and content producer and distributor in the MENA region and the world. Its artist management team works with its artists on music production, publishing and rights management, events and concerts, and strives to meet the continuously evolving needs of the industry. WMG launched Warner Music Middle East in 2018, covering 17 markets across the Middle East and North Africa. With a population nearing half a billion people, the MENA music market is anticipated to grow exponentially as the region continues to improve internet speeds and smartphone penetration, which has doubled in the last five years alone. Kacy Grine & Co acted as the exclusive financial advisor to Rotana Music in this transaction. #wnu #currentnews
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  • Google-backed Dailyhunt and Josh’s parent firm raises over $100 million
    VerSe Innovation, the parent firm of popular news and entertainment app Dailyhunt and short video app Josh, said on Monday it has raised over $100 million as part of a Series H financing round from Qatar Investment Authority and Glade Brook Capital Partners.

    The announcement follows another $100 million+ investment the startup secured from Google, AlphaWave, and Microsoft in December last year. That tranche of investment, also part of Series H, had turned Dailyhunt into a unicorn (giving it a valuation of $1 billion or higher). The startup has to-date raised about $430 million.

    Dailyhunt, co-run by Virendra Gupta and former Facebook India head Umang Bedi, is a popular news and entertainment app that serves more than 285 million users each day in 14 local languages in India. Its reach in India, the world’s second largest internet market, would explain why Twitter last month partnered with the Indian firm to bring Moments to Dailyhunt.

    VerSe Innovation expanded to short form videos last year, with Josh, after New Delhi banned TikTok and created a theoretical void for snacking content in the country. Scores of large giants and startups — including MX Player and ShareChat — have attempted to try their hand at short form videos in the recent quarters.

    Facebook launched Instagram Reels in India last year, and YouTube launched Shorts, which is already garnering over 3.5 billion daily views in India, it said last month. (With over 450 million users in India, YouTube is closing in on WhatsApp’s market lead in India.)

    Josh appears to have emerged as one of the leading players: The startup says Josh has amassed over 85 million monthly active users — 40 million of whom check the app each day — and the app sees more than 1.5 billion video plays everyday.

    Now the startup says it is exploring expansion into more categories and like with Dailyhunt and Josh, cater users in smaller cities and towns and eventually replicate this model in international markets.

    India’s internet economy is expected to be worth $639 billion by 2030, analysts at Citi wrote in a report to clients late last month. The coronavirus pandemic accelerated digital adoption and users’ appetite to transact online, a report from analysts at UBS said last week.
    “Josh represents a confluence of India’s top 200+ best creators, the 10 biggest music labels, 15+ million UGC creators, best in class content creation tools, the hottest entertainment formats, and formidable user demographics. Josh has been consistently rated as the leading Indian short-video app in India on the Play store,” the startup said in a statement.

    The startup said it will deploy the fresh capital to broaden its local languages content offering, and expand its creators ecosystem and AI and ML tech stacks.
    #wnu
    #currentnews
    #wafconnect
    Google-backed Dailyhunt and Josh’s parent firm raises over $100 million VerSe Innovation, the parent firm of popular news and entertainment app Dailyhunt and short video app Josh, said on Monday it has raised over $100 million as part of a Series H financing round from Qatar Investment Authority and Glade Brook Capital Partners. The announcement follows another $100 million+ investment the startup secured from Google, AlphaWave, and Microsoft in December last year. That tranche of investment, also part of Series H, had turned Dailyhunt into a unicorn (giving it a valuation of $1 billion or higher). The startup has to-date raised about $430 million. Dailyhunt, co-run by Virendra Gupta and former Facebook India head Umang Bedi, is a popular news and entertainment app that serves more than 285 million users each day in 14 local languages in India. Its reach in India, the world’s second largest internet market, would explain why Twitter last month partnered with the Indian firm to bring Moments to Dailyhunt. VerSe Innovation expanded to short form videos last year, with Josh, after New Delhi banned TikTok and created a theoretical void for snacking content in the country. Scores of large giants and startups — including MX Player and ShareChat — have attempted to try their hand at short form videos in the recent quarters. Facebook launched Instagram Reels in India last year, and YouTube launched Shorts, which is already garnering over 3.5 billion daily views in India, it said last month. (With over 450 million users in India, YouTube is closing in on WhatsApp’s market lead in India.) Josh appears to have emerged as one of the leading players: The startup says Josh has amassed over 85 million monthly active users — 40 million of whom check the app each day — and the app sees more than 1.5 billion video plays everyday. Now the startup says it is exploring expansion into more categories and like with Dailyhunt and Josh, cater users in smaller cities and towns and eventually replicate this model in international markets. India’s internet economy is expected to be worth $639 billion by 2030, analysts at Citi wrote in a report to clients late last month. The coronavirus pandemic accelerated digital adoption and users’ appetite to transact online, a report from analysts at UBS said last week. “Josh represents a confluence of India’s top 200+ best creators, the 10 biggest music labels, 15+ million UGC creators, best in class content creation tools, the hottest entertainment formats, and formidable user demographics. Josh has been consistently rated as the leading Indian short-video app in India on the Play store,” the startup said in a statement. The startup said it will deploy the fresh capital to broaden its local languages content offering, and expand its creators ecosystem and AI and ML tech stacks. #wnu #currentnews #wafconnect
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  • 5 creator economy VCs see startup opportunities in monetization, discovery and much more
    'Clubhouse has almost replaced podcasts for me, at least temporarily'
    veryone knows YouTubers and other creators are popular with internet users of all ages. But today, these influencers also have real businesses powered by a range of software tools and service providers who help weave videos, pictures, clips, memes and other types of content into sustainable success.

    The pandemic added fuel to existing trends pushing growth in this category. Today, the platforms are bigger and more diverse than ever and many creators have years of experience growing audiences and monetizing online. Parallel to this industry, the rapid overall growth of enterprise technologies allow for many new types of creator-focused products to be built. Top investors in the space are seeing new opportunities for startups to build tools that help creators monetize and grow or solve needs that are specific to creator subverticals like gaming or coaching/education.

    For this particular investor survey, we dug through notes from the following:

    Benjamin Grubbs, founder, Next10 Ventures
    Li Jin, founder, Atelier Ventures
    Brian O’Malley, general partner, Forerunner Ventures
    Eze Vidra, managing partner, Reimagine Ventures
    Josh Constine, principal, SignalFire
    The blank spaces in the creator economy
    As with many industries that fall under the broad banner of tech, digital creators saw an acceleration from COVID-19, investors said. The simple fact that millions of us are inside and on our phones a lot has helped creators expand their audiences. (More on this in our digital media investor survey from the other week.)

    More people also became creators. Jin noted that the pandemic has led to “people experimenting with creative hobbies and passions,” which smells like rising creator TAM from our perspective.

    A broader definition of what constitutes a creator means more potential customers for startups looking to serve them, and perhaps a greater total revenue in the market could be an impact of COVID.

    There are ample places for building in the creator economy, including discovery, which O’Malley cited as a key issue. “The best content doesn’t always rise to the top,” he said, adding that “incentives remain to create content that will be viral and get eyeballs” and to nab the content of others over creating net-new material.

    #wnu
    #currentnews
    #wafconnect
    5 creator economy VCs see startup opportunities in monetization, discovery and much more 'Clubhouse has almost replaced podcasts for me, at least temporarily' veryone knows YouTubers and other creators are popular with internet users of all ages. But today, these influencers also have real businesses powered by a range of software tools and service providers who help weave videos, pictures, clips, memes and other types of content into sustainable success. The pandemic added fuel to existing trends pushing growth in this category. Today, the platforms are bigger and more diverse than ever and many creators have years of experience growing audiences and monetizing online. Parallel to this industry, the rapid overall growth of enterprise technologies allow for many new types of creator-focused products to be built. Top investors in the space are seeing new opportunities for startups to build tools that help creators monetize and grow or solve needs that are specific to creator subverticals like gaming or coaching/education. For this particular investor survey, we dug through notes from the following: Benjamin Grubbs, founder, Next10 Ventures Li Jin, founder, Atelier Ventures Brian O’Malley, general partner, Forerunner Ventures Eze Vidra, managing partner, Reimagine Ventures Josh Constine, principal, SignalFire The blank spaces in the creator economy As with many industries that fall under the broad banner of tech, digital creators saw an acceleration from COVID-19, investors said. The simple fact that millions of us are inside and on our phones a lot has helped creators expand their audiences. (More on this in our digital media investor survey from the other week.) More people also became creators. Jin noted that the pandemic has led to “people experimenting with creative hobbies and passions,” which smells like rising creator TAM from our perspective. A broader definition of what constitutes a creator means more potential customers for startups looking to serve them, and perhaps a greater total revenue in the market could be an impact of COVID. There are ample places for building in the creator economy, including discovery, which O’Malley cited as a key issue. “The best content doesn’t always rise to the top,” he said, adding that “incentives remain to create content that will be viral and get eyeballs” and to nab the content of others over creating net-new material. #wnu #currentnews #wafconnect
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  • beIN SPORTS to exclusively Broadcast FIFA Club World Cup Qatar 2020

    beIN MEDIA GROUP, the global sports and entertainment broadcaster and its flagship sports channel beIN SPORTS is set to broadcast the much-anticipated FIFA Club World Cup Qatar 2020™ live and exclusively from Doha, Qatar.
    Set to take place in two of the world class FIFA World Cup Qatar 2022 stadiums in Qatar from the 4th until the 11th of February – this edition of the FIFA Club World Cup will see 6 teams compete for the most prestigious honour in global club football. Qatari champions Al Duhail SC, CAF Champions League winners Al Ahly SC, UEFA Champions League winners FC Bayern Munich, AFC Champions League winners Ulsan Hyundai FC, CONCACAF Champions League winners Tigres UNAL and CONMEBOL Champions League winners Palmeiras are all set to feature in this year’s exciting competition.

    Considering the COVID-19 pandemic, the host country will provide the required safeguards to protect the health and safety of all involved in the competition.

    “The FIFA Club World Cup that begins this week marks a milestone moment for Qatar, as the final steps start to be taken towards the FIFA World Cup 2022 and a defining period for the MENA region. beIN Media Group is proud to be at the heart of these outstanding global events as official broadcaster, bringing the world to Qatar and showcasing Qatar to the world. We are also proud to be the home of sport and entertainment across the 24 countries of MENA, uniting and inspiring the whole region.”

    Mohammad Al-Subaie, Acting CEO of beIN MENA
    beIN coverage
    beIN presenters Abdulaziz Al Nasr, Abdullah Ali and top analysts and football legends including Mohamed Abutrika, Wael Gomaa, Tareq Al Jalahmah, Tarek Dhiab, Youssef Chippo amongst others, will host special state of the art dedicated studios providing the most in-depth coverage around. All matches will be available live and exclusive with Arabic and English commentary.

    Coverage of the FIFA Club World Cup Qatar 2020™ includes the nightly dedicated “Evening Show”, hosted by Hichem Al Khalsi, which will provide in depth analysis throughout the tournament.

    beIN SPORTS HD1 will broadcast the matches exclusively in Arabic while beIN SPORTS HD11 will broadcast in English. The beIN SPORTS News channel will also broadcast exclusive content from the tournament including special documentaries and all the day’s stories on host nation Qatar.

    The opening match between Tigres UANL and Ulsan Hyundai FC will be played on the 4th of February at the Ahmad bin Ali Stadium in Doha on beIN SPORTS HD1 and HD11 at 17:00 Mecca Time (GMT +3). The second match between Al Duhail SC and Al Ahly SC will also be played on the 4th of February at the Education City stadium on HD1 and HD11 channels at 20:30 Mecca Time (GMT +3).

    The champions of the FIFA Club World Cup Qatar 2020™ will be crowned at the Education City stadium on Thursday 11 February.

    Qatar’s journey to greatness
    Qatar’s success in hosting truly remarkable sporting events has become a trend for the world to witness – with unforgettable tournaments including the 1988 AFC Asian Cup, 2005 FIBA Asia Championship, 2006 Asian Games, 2011 AFC Asian Cup, 2019 World Athletics Championships, 2019 FIFA Club World Cup, the 2020 AFC Champions league East and West Group stages, and the upcoming FIFA World Cup Qatar 2022.

    The country’s ambition does not stop here – as Qatar has also bid to host the upcoming 2027 AFC Asian Cup. With its world class facilities, infrastructure and expertise, Qatar is certainly achieving greatness and beIN MEDIA GROUP is proud to be part of that journey.

    beIN SPORTS’ official social media accounts on Twitter, Instagram and Facebook will also post exclusive content throughout the tournament, with shots of the two FIFA World Cup stadiums proudly showcased. Follow @beINSPORTS on YouTube, Twitter, Instagram, and Facebook to follow the latest on the FIFA Club World Cup in Qatar.
    #wnu
    #currentnews
    beIN SPORTS to exclusively Broadcast FIFA Club World Cup Qatar 2020 beIN MEDIA GROUP, the global sports and entertainment broadcaster and its flagship sports channel beIN SPORTS is set to broadcast the much-anticipated FIFA Club World Cup Qatar 2020™ live and exclusively from Doha, Qatar. Set to take place in two of the world class FIFA World Cup Qatar 2022 stadiums in Qatar from the 4th until the 11th of February – this edition of the FIFA Club World Cup will see 6 teams compete for the most prestigious honour in global club football. Qatari champions Al Duhail SC, CAF Champions League winners Al Ahly SC, UEFA Champions League winners FC Bayern Munich, AFC Champions League winners Ulsan Hyundai FC, CONCACAF Champions League winners Tigres UNAL and CONMEBOL Champions League winners Palmeiras are all set to feature in this year’s exciting competition. Considering the COVID-19 pandemic, the host country will provide the required safeguards to protect the health and safety of all involved in the competition. “The FIFA Club World Cup that begins this week marks a milestone moment for Qatar, as the final steps start to be taken towards the FIFA World Cup 2022 and a defining period for the MENA region. beIN Media Group is proud to be at the heart of these outstanding global events as official broadcaster, bringing the world to Qatar and showcasing Qatar to the world. We are also proud to be the home of sport and entertainment across the 24 countries of MENA, uniting and inspiring the whole region.” Mohammad Al-Subaie, Acting CEO of beIN MENA beIN coverage beIN presenters Abdulaziz Al Nasr, Abdullah Ali and top analysts and football legends including Mohamed Abutrika, Wael Gomaa, Tareq Al Jalahmah, Tarek Dhiab, Youssef Chippo amongst others, will host special state of the art dedicated studios providing the most in-depth coverage around. All matches will be available live and exclusive with Arabic and English commentary. Coverage of the FIFA Club World Cup Qatar 2020™ includes the nightly dedicated “Evening Show”, hosted by Hichem Al Khalsi, which will provide in depth analysis throughout the tournament. beIN SPORTS HD1 will broadcast the matches exclusively in Arabic while beIN SPORTS HD11 will broadcast in English. The beIN SPORTS News channel will also broadcast exclusive content from the tournament including special documentaries and all the day’s stories on host nation Qatar. The opening match between Tigres UANL and Ulsan Hyundai FC will be played on the 4th of February at the Ahmad bin Ali Stadium in Doha on beIN SPORTS HD1 and HD11 at 17:00 Mecca Time (GMT +3). The second match between Al Duhail SC and Al Ahly SC will also be played on the 4th of February at the Education City stadium on HD1 and HD11 channels at 20:30 Mecca Time (GMT +3). The champions of the FIFA Club World Cup Qatar 2020™ will be crowned at the Education City stadium on Thursday 11 February. Qatar’s journey to greatness Qatar’s success in hosting truly remarkable sporting events has become a trend for the world to witness – with unforgettable tournaments including the 1988 AFC Asian Cup, 2005 FIBA Asia Championship, 2006 Asian Games, 2011 AFC Asian Cup, 2019 World Athletics Championships, 2019 FIFA Club World Cup, the 2020 AFC Champions league East and West Group stages, and the upcoming FIFA World Cup Qatar 2022. The country’s ambition does not stop here – as Qatar has also bid to host the upcoming 2027 AFC Asian Cup. With its world class facilities, infrastructure and expertise, Qatar is certainly achieving greatness and beIN MEDIA GROUP is proud to be part of that journey. beIN SPORTS’ official social media accounts on Twitter, Instagram and Facebook will also post exclusive content throughout the tournament, with shots of the two FIFA World Cup stadiums proudly showcased. Follow @beINSPORTS on YouTube, Twitter, Instagram, and Facebook to follow the latest on the FIFA Club World Cup in Qatar. #wnu #currentnews
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